A critical approach to classical Indian poetics (Record no. 22439)

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082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 808.154
Item number TIW
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Tiwari, R. S.
245 ## - TITLE STATEMENT
Title A critical approach to classical Indian poetics
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Varanasi:
Name of publisher, distributor, etc. Cahukhambha Orientalia,
Date of publication, distribution, etc. 1984.
300 ## - PHYSICAL DESCRIPTION
Extent xxi, 416 p.
Other physical details bib., ind.
Dimensions 22 cm x 14 cm
490 ## - SERIES STATEMENT
Series statement Chaukhambha oriental research studies, no. 29
500 ## - GENERAL NOTE
General note Recommended By: Shailendra Raj Mehta<br/>--------------------------------------------------------
521 ## - TARGET AUDIENCE NOTE
Target audience note Contents<br/> <br/><br/>(1) The Rosa Siddhãnta or the Doctrine of Relish <br/> Bharata’s Nya-astra:Bharata’s Rasasutra: Vibhvas ecetera Explained: Number of Rasas:The Sthyis : The Eight Sättvikas. The Thirtythree Vyabhichris: Constituents of Rasa Exemplified : Eliot’s Objective Correlative: Rasa Objective Entity : Bhata Lollata: kuka. Contribution of Louaa and añkuka. 3-22<br/> Bhaanayaka: Three Functions of word: Concept of Sdhrajikaraza : Boga or Bhojakatva: Araya of Rasa : Nursea of Rasa: Bhaanyaka’s Philosophical Angle: Bhaana yaka’s Contribution. 22—31<br/> Abhinavaguta: Fundamental Principles of aivism: Rasa Elucidation: Abhinava’s Position: Bhaanyaka and Abhinava: Further Elucidation of Abhinava : Abhinava’s Concept of Ananda: Poems fit for Rasa: Factors of Rasavighna: Abhinava’s Achievement: Abhinava’s Limitations. 32—47<br/> Posterior Theorists :Mammata Bhaa : Bhnudatta: Vishwantha: Relish of Rasa: Sdhärai dkrta or Generalisation and Vibhavas and Rasa Production: Pariditarja Jaganntha: Bhävandoa and Rasa: Summary of Rasa Discussion. 47—58<br/> The oncet of Ananda in Rasãnubhiti: Vishwantha’s Arguments: Arguments Exami-ned. 58—63<br/> Theory of Catharsis: Limitations of Kathar-sis. 64—80<br/> Bhojarãja’s Theory of AhaikJra-Abhimilfla rñgãra: Rasika and Sahrdaya: Criticism of Bhoja. 89—92<br/> Original Rasa : Angin Rasa: Rasabhasa: rñgära or The Erotic: Misrita 92-103<br/> Srngara Tennyson’s ‘Tithonos’ : The Karuia:Vra or The Heroic. Shnta or The Quietistic: Refe-rence to Bhakti Rasa: Hsya or The Comic: Comic emotion: 103-133<br/> Impersonalism in Rasa: Emotional Theory in Western Speculations : Limitations of Rasa: Awareness of Life, the end of poetry. 134—141<br/>(2) The Alamkara Siddhartha or The Doctrine of Embellishment : 142—161<br/> Poetics Proper: Bhämaha, the Earliest Expotient : Wide Conception of Alamkara: Alamkara and Rasa: Vamana and Alamkara:Kuntaka and Ruyyaka:Alamkara and Alamkarya: Croce’s Aesthetic: 162—177<br/> Värta and Kävya: Atisayokti and Vakrokti: Svabhvokti and Vakrokti: Vrt and Variiana: Bboja and Vakrokti-Svabhvokti. 177—207<br/> Classification of Alari’ikJras : Rudraa’s Classi fication: An Appraisal of the Alaipkara Doctrin:Upam (Simile): Rupaka (Metaphor): Metaphor in Western Poetics: Utprek : Aiayokti (Exactions ggeratiàn): Prateepa ( Reversal) : Vyatireka ( Special Surpassing ) : Difference between Vyatireka and Prateepa: Sarnasoki ( Special Describing): Aprastutapraansa (Round-about’ Description) : Paryyokti (Periphrasis): Alaip kära in Western Poetics. <br/>(3) The Ritis Siddhãnta or the Doctrine of style: <br/> Meaning of Rid: Division of Riti : Ridand Guixas: Doas: The Concept of Rid in Western Poetics. 209—215<br/>(4) The Dhoani Siddhänta or The Doctrine of Suggestion: <br/> Anandavardhana : Three-fold Division of Meaning: Dhvani Defined: Dhvani Classified: Vastu-sambhavi: Kavi -Praudhokti-matrasiddha: Svatah-sambhavi: Alamkara-dhavani:Asamlaksya-krama-vyangya-Rasdhvani: Rasadhyani Defined: Factors of Rasa-Bhanga: Friendly and Hostile Rasas:Rasa -Bhanga: Frified: Rasa-dhvani Divided: Classification of Kavya: Gunibhuta-vyangya: Chitra-Kavya: Contribution ot Poetics: Anandavardhana's Dhvani in Western Specualtions: Complicated Formulations. 216-250<br/>(5) The Vakrohti Siddhdnta or The :Doctrine of Ingenuity: <br/> Vakrokti,A new Trail : Vakrokti Defined: Vakrokti Classified : Margas and Guiias in Vakrokti : Assimilative Character of Vakrokti: Vakrokti in Western Poetics. 251—264<br/>(6) The Auchitya Siddhanta or The Doctrine of Propriety: <br/> Concept of Auchitya in Earlier Writers Kemendra : Jivita or Life of Kvya: Kavpn-gas or Limbs of Poetry : Illustrations : Kemen dra’s Contribution : Auchitya in Western Poetics. 265—295<br/>(7) Poetic Miscellany: <br/> The Conception of Poet: Difinition of Poetry: Purposes of Poetry: Soul of Poetry: Factors of Poetry: Frontiers of Poetic Meaning: Poetic Instruction : 296—321<br/>(8) Major Canons of Dramaturgy: <br/> Broad Laws of Plot-Cunstruction: Cate gories of Kvya: Three Kinds of Plot: Consti tuents of Plot: Stages of Plot: Junctures of Plot: Nyakas or Heroes: Characteristics and Categories: Shobhä or Beauty of Character: Madhurya or Sweetness: Dhairy or Steadfast ness: Gambhirya or Mental Equilibrium : Tejas or Brilliance : Lalitya or Affability : Audarya or Magnanimity: Vilãsa or Vivacity: Other Classes of Heroes : Nyiks or Heroines : Classifications and Characteristics: 322—345<br/>(9) Richards’s Theory of Value arid the Rasa’ Doctrine 346—369<br/>(10) Conclusions 370—373<br/> Appendix <br/> Shabda-shakti or Powers of word: Sphoa: Dhvani : Powers of word : Abhidhä : Lakaiia: Prayojanavatl Lakaia : Vyaijana: Tatparya <br/> Vritti. 374—386<br/> Bibliography 387—390<br/> Index 391—416
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
General subdivision Criticism, interpretation, etc
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
General subdivision Literature Philosophy
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
General subdivision Vedic poetry
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
General subdivision History and criticism
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    Dewey Decimal Classification     KEIC KEIC 07/14/2024 Free 970.00 Free   808.154 TIW 23363 07/14/2024 07/14/2024 Books
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